jack wilkins quartet

**Jack Wilkins** has spent his career turning landscapes into music. Not metaphorically — literally. As a composer-in-residence at the Banff Centre in the Canadian Rockies, he wrote pieces shaped by glacial ridgelines and the particular silence of high altitude. At Acadia National Park in Maine, he composed a suite inspired by the crusade of cars climbing Cadillac Mountain at sunrise and the rhythms of the Atlantic against granite. In the Blue Ridge Mountains of North Carolina, where he grew up in Greensboro listening to his older brothers play Maceo Parker and Jr. Walker records, he created *The Blue and Green Project* — a recording that braided Appalachian roots music with jazz and R&B, incorporating the sound of a blacksmith's anvil from a shop in Spruce Pine. Seven albums as a leader. A Fulbright Scholar appointment at the University of Calgary. Artist residencies in Sweden and Appalachia and along the coast of Maine. Featured soloist on Chuck Owen's *River Runs* and *Whispers on the Wind*, both Grammy Award finalists. Thirty-plus years directing Jazz Studies at the University of South Florida, where his USF Jazztet has played Montreux, North Sea, Vienne, and Umbria and toured South Africa. JazzTimes once noted that despite his academic credentials, there is nothing academic about his playing — that what sets him apart is his emotional directness, his ability to swing from the heels up. He keeps coming back to North Carolina. Every Christmas he returns to Greensboro to play with Piedmont Songbag. The mountains pull at him. And tonight they've pulled him to Little Jumbo, where he's leading a quartet built from musicians who understand what it means to let a place get inside your sound. **Andy Page** holds the guitar chair. Senior lecturer of jazz guitar at Appalachian State's Hayes School of Music for more than two decades, Andy is Zack Page's identical twin — the one who got the guitar when their father handed out instruments on Christmas morning. He has carried that guitar from the Montreux Jazz Festival to Japan's Muroran Jazz Cruise to German jazz workshops, but chose to plant himself in Boone, where the Blue Ridge informs everything he plays. His courses range from jazz improvisation to the History of Rock Music to Heavy Metal Culture, because the Page brothers never believed in walls between genres. **Zack Page** is on bass. The twin who got the four-string inheritance, Zack has played roughly eight thousand performances since the mid-1990s — a career that runs from Billy Higgins and Delfeayo Marsalis in New York to co-founding Asheville's gypsy jazz ensemble One Leg Up to anchoring sessions at Landslide Studio with Jeff Sipe. He graduated summa cum laude from UNC Wilmington, played Montreux while still in college, and has spent the decades since proving his father's theory that every good band needs a good bass man. Putting the Page twins on the same stage with Wilkins means three musicians with deep North Carolina roots and decades of shared musical geography — Appalachian State, UNC system, the same mountain air moving through different instruments. **Justin Watt** holds down the drums. Born in Ravenna, Ohio, trained at Kent State and Youngstown State with teachers from the Cleveland Orchestra and the Cleveland Jazz Orchestra, Watt spent two years touring with the Glenn Miller Orchestra across the United States, Japan, and Canada before settling in Asheville in 2008. He has since become one of the region's most in-demand drummers, anchoring the Keith Davis, Like Mind, and Asheville Art trios, performing with the Asheville Jazz Orchestra, and co-curating the Asheville Original Music Series. He teaches at UNC Asheville, Furman, and the Asheville Music School — a musician whose versatility spans big band precision and intimate trio conversation with equal commitment. This is a quartet of educators who never stopped being players, of players who never let teaching calcify their instincts. Wilkins brings the landscape — the ridgelines, the national parks, the mountain music of his childhood. The Pages bring the family frequency, the twin telepathy, the accumulated weight of thousands of gigs. Watt brings the Ohio precision tempered by seventeen years of Asheville's anything-goes ethos. Little Jumbo's curated Monday series brings the room — small enough that every note lands somewhere, dark enough that the creature in the corner can listen without being disturbed. This one's free.